A few weeks ago, YouTuber and blogger Chescaleigh
(Franchesca Leigh) got into a Twitter battle with another YouTuber Shane Dawson
about the content of his videos, in particular his use of blackface, racial
slurs, and his many ‘characters’ that portray people of colour in an
exaggeratedly stereotypical and offensive way. On her blog (http://blog.franchesca.net/post/58450565109/bleach4kidz-if-you-follow-shane-dawson-shanna),
she especially points out the huge backlash she received for doing this,
saying, “My mentions are currently filled with death threats, the N word and
various slurs all because I challenged his use of blackface and called Shanna
out for her self hating and rape culture supporting “comedy”.
Shane Dawson has a large following of 33 million
subscribers, and his penchant for making videos that portray several ‘characters’
of colour allows his channel to be defined as a racial project as according to
Omi and Winant’s definition. They argue, “a racial project can be defined as
racist if and only if it creates or reproduces structures of dominance based on
essentialist categories of race” (71). Moya and Markus preface their chapter by
discussing newsworthy incidents that are racially inflammatory, and argue, “while
the events narrated here may have largely receded from collective memory, similar
ones are no doubt happening as you read these words” (3). I think that YouTube
as a platform for performance and creativity (including comedy) has allowed for the blogosphere, and certainly Twitter as well, to provide an outlet for
critical examination and discussion that large numbers of people can
participate in at the same time, and the differing ways in which these conversations happen tie in
with Moya and Markus’ list of conversations about race and ethnicity.
They argue, “people from across the political spectrum rely on some version of
one or more of these readily available and malleable conversations to help them
manage the pervasive tensions surrounding race and ethnicity” (6). It is
particularly interesting that while several bloggers have engaged in discussion
about Shane Dawson’s content, there are also thousands of people attacking
Chescaleigh for her comments without critically engaging with them. I would say
this fits with Moya and Markus’ view that there remains a distinct discomfort
in talking about race and ethnicity.
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