Aziz Ansari's set at the recent Comedy Central roast of James Franco is an example of a small - but noteworthy - racial project. After other comedians made racist jokes about Ansari's Indian heritage (Seth Rogen: "This dais is literally Hitler's wet dream. It's got Jews, gays and whatever Aziz is," Sarah Silverman: "I have been a huge supporter of Aziz for years, and for only the price of a cup of coffee."), he took the stand and called them out in a funny, pointed way:
This is a racial project because it seeks to define boundaries of acceptable representation, using the common language available: comedy. By using humor to let the other comedians know that their jokes aren't funny - and by never explicitly calling them racist, although the implication is obviously there - Ansari effectively shuts down the racist remarks. While it seems like many white comedians simply don't care about not being racist, they all care about being funny. By framing his remarks in those terms, Ansari is able to redefine what is acceptable in the context of the roast.
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