For this blogpost I saw a link between Courtney’s piece and
the series of “slave movies” (Lincoln, Django Unchained, The Butler) that have
come out recently. To do this I found s roundtable discussion on the New York
Times website a roundtable discussion about “12 Years A Slave” titled “An
Essentially American Narrative”. Within the interview, there is a section
discussing a section of the film where it shows a slave master raping a female
slave. Unlike other movies, this one does not cut away instead “let us
experience the moment that is part of the lore of America”. This is a counter
to miscegenation laws that tried to impose “a blanket censorship of sexual
violence and brutality, thus foreclosing any portrayal of racial and sexual
violence toward African-Americans and implicitly wiping the memory of rape,
castration, and lynching from the American Record” (Courtney 105). However, the
sheer amount of these films is problematic. The fact that these movies have
been successful in the past has lead to a sensationalist boom similar to the
one that happened after the miscegenation law was lifted. The reason this is so
problematic is because the sheer mass of these movies has resulted in talented
black actors being mostly seen in slave narratives by the mainstream. It could
be argued that like the Indian War movies, they serve to keep African-Americans
bound to this romanticized setting of the Old South. It relegates black actors
to playing “the help” while white actors are still the main story line, thus
whitewashing cinema.
Here is the discussion I drew upon.
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